Do you know? Chicago: The University of Chicago Press.įine, G. Becker's sociology of art and cultural production. Art words and art worlds: The methodological importance of language use in Howard S. Upper Saddle River: Prentice Hall.Ĭluley, R. Berkeley: University of California Press.Ĭharon, J. Chicago: The University of Chicago Press.īlumer, H. Kirschenblatt-Gimblett (Eds.), Art from start to finish (p. London: Transaction Publishers.īecker, H. Chicago: The University of Chicago Press.īecker, H. Becker (Eds.), Theory with a wide horizon (pp. Appendix A: A dialogue on the ideas of “world” and “field”. Paper given at the conference on “Fifty years of music sociology in Vienna,” September 24, 2015, held at the Institute for Music Sociology, University of Music and Performing Arts, Vienna.īecker, H., & Pessin, A. Berkeley, CA: University of California Press.īecker H.S. Kirschenblatt-Gimblett (Eds.), Art from start to finish. Foi por acaso: Conceptualizing coincidence. It is limited, however, by some fundamental reservations that concern Blumer’s conceptual and theoretical system, and his research method.īecker, H. Becker’s appreciation of Blumer, finally, is explicitly stated. On the other hand, Becker’s Symbolic Interactionism departs both from standard accounts of Symbolic Interactionism, and Stryker’s version of it, in that it makes use of notions of its own, such as social world, structures of interaction, conventions, and interpretive communities. So does his recommendation to avoid generalizations that are not context-bound. Becker’s insistence that sociologists should interpret and confer meaning to situations, accords with some basic principles of Symbolic Interactionism. Participant observation is Becker’s research method of choice. Becker has consistently declined to be labeled in any other way but as a sociologist, he has made numerous statements that evidence his methodological and epistemological proximity to Symbolic Interactionism.
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